Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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ZAIS, Giuseppe
Landscape with a Group of Figures Fishing
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ID: 43264

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ZAIS, Giuseppe Landscape with a Group of Figures Fishing


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ZAIS, Giuseppe

Italian painter, Venetian school (b. 1709, Canale d'Agordo, d. 1789, Venezia)  Related Paintings of ZAIS, Giuseppe :. | Ancient Ruins with a Great Arch and a Column | Landscape with Shepherds and Fishermen | Ancient Ruins with a Great Arch and a Column fgu | Landscape with a Group of Figures Fishing | Landscape with River and Bridge |
Related Artists:
Jan Van Kessel the Younger
1654-1708 Dutch Jan Van Kessel Gallery
Gilbert Charles Stuart
1755-1828 Gilbert Charles Stuart Locations Gilbert Charles Stuart (born Stewart) (December 3, 1755 ?C July 9, 1828) was an American painter from Rhode Island. Gilbert Stuart is widely considered to be one of America's foremost portraitists. His best known work, the unfinished portrait of George Washington that is sometimes referred to as The Athenaeum, was begun in 1796 and left incomplete at the time of Stuart's death in 1828. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for over one century. Throughout his career, Gilbert Stuart produced portraits of over 1,000 people, including the first six Presidents of the United States. His work can be found today at art museums across the United States and the United Kingdom, most notably the Metropolitan Museum of Art in New York City, the National Gallery of Art in Washington, D.C., the National Portrait Gallery in London, and the Museum of Fine Arts in Boston.
Nittis, Giuseppe de
Italian, 1846-84 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism, he achieved great success in his lifetime,






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